This week’s straight-to-VOD mini-reviews include “I Am D.B. Cooper,” “Dragon Eats Eagle,” and “Renegades.”
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With the release of ‘White Noise,’ we look through Noah Baumbach’s films to see how he has reckoned with the question: can I live with the decisions I have made?
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Carly Simon’s recent induction into the Rock & Roll Hall of Fame confirms her singer/songwriter bona fides. But what of her film work?
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Our mini-reviews of “Confessions of a Hitman,” “Ainbo: Spirit of the Amazon,” “Summertime Dropouts,” and more straight-to-VOD selections.
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These two horror films, made a decade apart, depict the breakdown of society to a degree where reality loses all meaning.
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Our resident Weinstein expert weighs in on the new film’s fact and fiction, and what’s changed in the years since its events.
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A look at the screenplays and cinematic interpretations of the literary patron saint of American outcasts.
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Our mini-reviews of ‘Vide Noir,’ ‘1-800-HOT-NITE,’ ‘I’m Totally Fine,’ and more of this week’s direct-to-VOD titles.
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Our mini-reviews of “A Chance Encounter,” “Sinphony: A Clubhouse Horror Anthology,” “The Murder Podcast,” and more of this week’s straight-to-VOD and straight-to-streaming movies.
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A quick look at ‘Sawed Off,’ ‘Hinterland,’ ‘Don’t F*ck in the Woods 2,’ and more new straight-to-VOD fare.
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Our mini-reviews of ‘Two Witches,’ ‘Ten Tricks,’ ‘The Wild Man,’ and more new direct-to-VOD fare.
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While A24’s tenth anniversary got all the notice, it’s the trajectory of Megan Ellison and Annapurna Pictures that tells the real story of adult-oriented films over the past decade.
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