I stopped watching Downton Abbey near the beginning of season 4, when a character was raped and I realized the show […]
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Last week IndieWire editor Kate Erbland discovered that her review of Hustlers had been published in Cascadia Weekly, a paper in Bellingham, […]
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Given the current sociopolitical climate and general state of the world, satire seems like a tall order. How can you comically […]
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Justin Benson and Aaron Moorhead have been floating around the edges of indie sci-fi/horror for the last few years, writing and […]
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Some things just go together: spaghetti and meatballs, ham and cheese, beans and rice, peanut butter and… freshly caught fish? You […]
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With her new film, Hustlers, writer-director Lorene Scafaria (The Meddler, Seeking a Friend for the End of the World) wants to […]
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1999 is considered one of the strongest years of cinema in living memory. There will no doubt be countless articles in […]
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You can tell pretty quickly that something is up with One Cut of the Dead. It starts in an old warehouse […]
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The 2019 Toronto International Film Festival (TIFF) felt unusually heavy with films concerning religion and its followers. Of the more than […]
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In the year since it was unleashed on the public, two schools of thought have formed around Crazy Rich Asians. Hailed […]
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I have a complicated relationship with the Telluride Film Festival. It’s a world-class fest, usually playing some of the year’s best […]
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Before I get into grading It: Chapter Two, I’ll admit to being a bit baffled by the runaway success (commercially, but […]
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