For Bastille Day, we look at Miramax’s short-lived and mostly forgotten French cinema specialty label.
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For Bastille Day, we look at Miramax’s short-lived and mostly forgotten French cinema specialty label.
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When Leslie Howard’s plane was shot down in June of 1943, it launched questions and conspiracy theories that persist to this day.
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Our mini-reviews of “Karmalink,” “The Summoned,” “Love Accidentally,” and more of this week’s straight-to-home-viewing fare.
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Michael Myers’ return from the grave in 2002 had dire consequences for Laurie Strode, but things could have gone differently.
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Alan J. Pakula’s 1974 conspiracy thriller is that rarest of beasts: a film firmly rooted in its moment, yet increasingly relevant with the passage of time.
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Antoneta Alamat Kusijanovic’s keenly observed drama zigs when you expect it to zag, drawing the viewer in with four perfectly tuned performances.
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Claire Denis’ latest isn’t her first movie to deal with infidelity, but her third collaboration with Juliette Binoche still uncovers new ground in the erotic thriller genre.
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The #GIRLBOSS is dead, but Nancy Meyers’ ‘The Intern’ is alive with ideas about what isn’t working for women in the workplace. It’s worth reconsidering in light of the disillusioning years since its release.
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With “Hallelujah: Leonard Cohen, A Journey, A Song” in theaters, we look at a few of the previous documentary portraits of the iconic singer/songwriter.
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‘Goodfellas’ may be Liotta’s top film, but his performance in Joe Carnahan’s detective thriller remains a step above.
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John Cassavetes’ scorching 1968 drama of marital misery has lost none of its considerable power after decades of imitation and influence.
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This Regency rom-com has the expected empire-waist dresses of Austen adaptations, but it misses what makes her work so enduring.
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