The scares in Scott Cooper’s horror drama are too long in coming, and ultimately not worth the wait.
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Joanna Hogg’s unexpected sequel to her 2019 semi-autobiographical art house hit is a fascinating exploration of life, art, and the thin line that separates them.
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Guillermo del Toro’s debut feature displays many of his future preoccupations, as well as an achingly personal approach to questions of faith and redemption.
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Our mini-reviews of ‘The Subject,’ ‘Nightshooters,’ ‘Bigfoot Famous,’ and more.
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William Friedkin’s tough-as-nails cop movie, released 50 years ago this month, is one of the quintessential films of New York’s roughest era.
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When “Romeo + Juliet” hit screens 25 years ago (and ‘Titanic’ followed the following year), Leonardo DiCaprio was cemented as a hyper-specific, of-his-moment young male star.
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Hulu recently categorized Jeff Nichols’s 2011 drama as a horror movie. But maybe, just maybe, they weren’t that far off.
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Clint Eastwood’s 1976 Western, now streaming on Netflix, is one of his first great directorial efforts – and a fascinating fusion of his split filmmaking personalities.
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Wes Anderson’s latest meticulously crafted comedy/drama is a loving valentine to the written word (and the French New Wave).
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A full-throated defense of one of the least respected Stephen King adaptations (and that’s saying something).
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These early ‘80s meditations on mass media have proven eerily prescient of our contemporary concerns – and Extremely Online culture.
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A look at some of the highlights of this year’s online horror fest, including “We’re All Going to the World’s Fair,” “Name Above Title,” and “Cannon Arm and the Arcade Quest.”
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