Clint Eastwood’s 1971 thriller, now on Netflix, raises a question or two about what it means for a movie to be “dated.”
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Jennifers Lopez and Coolidge can’t rescue this rom-com from a shoddy script and a lack of chemistry between the leads.
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Mia Hansen-Løve’s latest is, as per usual, a thorny examination of the complications of modern living and matters of the heart.
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In his first Sundance roundup of the year, our old pal Eric D. Snider looks at “Radical,” “Birth/Rebirth,” “Run Rabbit Run,” and more films about the joys of children.
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Since Sundance Film Festival season is upon us, this month’s “Harvey’s Hellhole” recalls one of the many times Miramax forked over a lot of money for a Sundance hit they eventually and unceremoniously dumped into theaters.
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Move over, Statham! With the release of ‘Plane,’ Gerard Butler once again asserts his status as king of modern-day B-movie schlock.
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‘Casablanca’ was released 80 years ago today, and there’s a reason why its “La Marseillaise” scene is so powerful: it’s filled with actors who were themselves displaced by the Nazi regime.
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In anticipation for a new Preston Sturges retrospective, here’s a look at the director’s subversive screwball one-two punch from 1944.
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Starring Storm Reid, this ‘Searching’ sequel teems with thrills — and too many red herrings.
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Florian Zeller’s follow-up to ‘The Father’ falls far short of that movie’s greatness, but offers up a tough, uncompromising story of a family in crisis.
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Our look at the best new must-see titles on Blu-ray, 4K, and your subscription streaming services.
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To celebrate the visionary director’s 90th birthday, we examine a key theme running through many of his films, starting with his first.
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