Guy Ritchie’s latest is a lifeless, listless, hopeless mess, with the once exciting writer/director (and his frequent star Jason Statham) merely...

Netflix's new animated family comedy is a rollicking treat - with something to say about technology and personal connection.

Amazon’s Michael B. Jordan-fronted Tom Clancy adaptation wastes a lot of talent – and your time.

How good is the latest feature film adaptation of the beloved video game? Well, that depends on what you want out of it.

Bob Odenkirk’s action debut is a crackerjack thriller – and an enjoyable change of pace for the comic actor.

Barbara Crampton and Larry Fessenden shine, but ‘Jakob’s Wife’ just takes too long to find its footing.

Melissa McCarthy and Ben Falcone’s latest has a couple of good ideas, but squanders them in its creaky jokes and general half-heartedness.

Emma Seligman’s acclaimed feature debut is tense, uncomfortable – and wildly funny.

The rise and fall of WeWork could make for a compelling documentary, but the new Hulu feature isn’t it.

The Eric Andre comedy is (unsurprisingly) broad, vulgar, and over-the-top, and (surprisingly) sweet as well.

The Anthony Hopkins / Olivia Colman vehicle sounds like formula Oscar bait, and on its surface, maybe it is. Look deeper.

The genre-infused relationship comedy boasts a terrific cast and clever concept, even if it doesn’t quite stick the landing.

The Russo Brothers’ latest is a mess, a mishmash of visual and storytelling clichés, stranding a miscast Tom Holland in an embarrassing attempt at...

The long-awaited sequel to Eddie Murphy’s 1988 comedy classic hits all the notes you’d expect – and that’s the problem.

Disney’s latest is a lush, detailed, joyful feature that offers viewers a much-needed shot of beauty and adventure.