Our mini-reviews of ‘Zone 414,’ ‘When I’m A Moth,’ and more of this week’s direct-to-VOD titles.
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In six masterful late ‘50s Westerns, director Budd Boetticher and star Randolph Scott brilliantly reimagined the Western and its hero.
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The 2021 Karlovy Vary Film Festival paid tribute to the outstanding work of Martin Scorsese’s Film Foundation.
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Nia DaCosta’s ‘Candyman’ remake is sharp, scary, thoughtful – and a vast improvement over the 1992 original.
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The over-the-top comedy (new on Hulu) offers up a handful of laughs and some missed opportunities.
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With his new film “The Card Counter” in theaters soon, we look back at one of Paul Schrader’s strangest – and least understood – works.
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A critical examination of the ‘50s Technicolor musical standby – why they did them, and if they still work.
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At the dawn of a new decade, quintessential ‘80s screen and TV star Michael J. Fox found two film projects to reposition and reconfigure his persona.
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Martin Scorsese’s breakthrough feature showcases the style and sensibility (and morality) that would become his trademark.
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Lisa Joy’s debut feature is an ingenious and ambitious mashup of sci-fi and neo-noir, with stellar performances to help sell its occasionally dodgy storytelling.
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The gun-blazing action vehicle has all the depth of a throwaway programmer, but little of the pleasure.
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Thirty years ago, two great films examined the life of the writer – and deemed it a hell on earth.
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