Our mini-reviews of “Golden,” “Blue,” “Blazing Fists,” and more new under-the-radar on-demand offerings.
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The horror sequel is far from a perfect movie, but it could help move us away from lazy “eat the rich” satire to tap into the growing revulsion at the wealthy stemming from the Epstein Files.
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One more report from Austin, with mini-reviews of “The Sun Never Sets,” “Pretty Lethal,” “Forbidden Fruits,” “DreamQuil,” and more.
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Robert Bresson wanted to make a film about King Arthur’s court for two decades before he got the chance. He used the time to distill it down to its essence.
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This enjoyable documentary spotlights the role of female filmmakers, actresses, and audiences in scary movies.
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Larry Cohen’s Hitchcock riff is a scuzzy New York noir about the inherently voyeuristic nature of movie-making.
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Our first report from Austin includes mini-reviews of “Chili Finger,” “Plantman and Blondie,” “We are the Shaggs,” and more gems from this year’s SXSW Film & TV Festival.
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Our bi-weekly look at the best new titles on Blu-ray, 4K, and your subscription streaming services.
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Christopher Nolan didn’t back into success with ‘Memento,’ the twisty neo-noir that effectively launched his career.
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As Conan O’Brien prepares for a return hosting gig, we look back at a baffling assortment of celebs who nominated for Oscars the same year they hosted.
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In memory of the great Robert Duvall, a look back at the role that won him his Oscar.
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A trio of fantasy hybrids released 40 years ago — “Nomads,” “Highlander,” and “Rawhead Rex” — share a surprising amount of overlap, especially in how they view the youth of the ’80s.
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