The Maysles Brothers’ documentary about a pair of eccentric patrician recluses is not just a spectacle of decay, but a portrait of captivating, irrepressible vitality.
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The Maysles Brothers’ documentary about a pair of eccentric patrician recluses is not just a spectacle of decay, but a portrait of captivating, irrepressible vitality.
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Beneath the pitch-black comedy that audiences rejected it for, Lawrence Kasdan’s 1990 farce is a heartwarming, true story about how love is stronger than bullets, car bombs, and attempted murder convictions.
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Twenty years after its release, and with a new stage version playing on Broadway, we look back at William Friedkin and Tracy Letts’s berserk and prophetic horror romance.
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The 1999 teen rom-com is widely beloved these days — but it’s tonally inexplicable and morally reprehensible, so of course it came from Harvey Weinstein.
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The best-loved of director Hiroshi Teshigahara’s three collaborations with novelist Kobe Abe presents a battle of the sexes of primordial proportions.
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The 2026 International Film Festival Rotterdam devoted one of its retrospectives to Japanese direct-to-video genre movies.
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Gregory La Cava’s 1936 hit is the quintessential screwball comedy, a rapid-fire, ceaselessly funny exploration of sex, class, and chaos.
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Though Martin Scorsese was no neophyte in 1976, his dark masterpiece started a string of classics that people choose to misunderstand.
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Unfairly swept aside by the French New Wave, director Claude Autant-Lara’s classic is a beautiful bauble.
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This month’s examination of the cinematic misdeeds of Miramax spotlights Kevin Williamson’s directorial debut, a would-be black comedy softened and spoiled by the brothers Weinstein.
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The notorious Beatles cover boondoggle is currently, inexplicably streaming on Netflix. You may be tempted to see how bad it could be. Resist that temptation.
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With a new Mel Brooks documentary on HBO Max, we take a look at his most controversial comedy.
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