Remaking “Psycho” was always a fool’s errand, but Gus Van Sant’s infamous shot-for-shot redo is a fascinating experiment in reinterpreting a classic.
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Remaking “Psycho” was always a fool’s errand, but Gus Van Sant’s infamous shot-for-shot redo is a fascinating experiment in reinterpreting a classic.
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The two newest movies in the Criterion Channel’s recently launched Directed by Atom Egoyan collection may initially seem like late-career afterthoughts for the Canadian filmmaker who’s best known for his 1994 international breakthrough Exotica and his 1997 Oscar-nominated drama The Sweet Hereafter. But while 2005’s Where the Truth Lies and 2009’s Chloe may not have […]
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Our bi-weekly look at the best new titles on Blu-ray, 4K, and your subscription streaming services.
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Ang Lee’s adaptation of Rick Moody’s novel – part of the Criterion Channel’s ’70s movie series – delves beneath the surface of a turbulent time in America’s not-too-distant past.
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No more talk of “Ella McCay” — let us instead look back at James L. Brooks’s feature screenwriting debut, now streaming on the Criterion Channel.
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This intimate documentary reveals the schisms of an Israeli-American family after their daughter and son-in-law were abducted by Hamas.
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The new independent drama “Rosemead” turns the spotlight on a section of Los Angeles that’s rarely recognized on screen.
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Our mini-reviews of “Super Happy Fun Clown,” “Sleepwalker,” “Tapped” and more of this week’s on-demand treasures and trash.
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As an animation master hits a milestone birthday, his studio’s presence overseas is dominated by an excess of merchandising that runs counter to his work.
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Jason Reitman’s 2020 lockdown remake of the fantasy comedy classic may be the best and most heartfelt tribute to Rob Reiner’s legacy.
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For seven years in the mid-‘70s, the Jimmy Cliff vehicle played to sold-out crowds at the Orson Welles Cinema, and its runaway success brought reggae to an unlikely audience.
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Our regular contributors share their favorite movies of 2025 — both new and old.
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