Unfairly swept aside by the French New Wave, director Claude Autant-Lara’s classic is a beautiful bauble.
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This month’s examination of the cinematic misdeeds of Miramax spotlights Kevin Williamson’s directorial debut, a would-be black comedy softened and spoiled by the brothers Weinstein.
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The notorious Beatles cover boondoggle is currently, inexplicably streaming on Netflix. You may be tempted to see how bad it could be. Resist that temptation.
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Our mini-reviews of “Grizzly Night,” “The Morrigan,” “Acts of Love” and more of this week’s on-demand treasures and trash.
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Our final report from the just-concluded Sundance Film Festival includes mini-reviews of “Josephine,” “Soul Patrol,” “The Musical,” “Zi,” and more.
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With a new Mel Brooks documentary on HBO Max, we take a look at his most controversial comedy.
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Our second report from the Sundance Film Festival includes mini-reviews of “The Invite,” “The Weight,” “I Want Your Sex,” “Knife: The Attempted Murder of Salman Rushdie,” “Gail Daughtry and the Celebrity Sex Pass,” and more.
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Giuseppe De Santis’s 1949 classic brought sex appeal and genre thrills to neorealism.
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Our bi-weekly look at the best new titles on Blu-ray, 4K, and your subscription streaming services.
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Our first report from the last Sundance Film Festival in Park City, with mini-reviews of “Buddy,” “Broken English,” “Once Upon a Time in Harlem,” “Paralyzed By Hope: The Maria Bamford Story,” and more.
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The Disney classic (released 65 years ago this week) pioneered the Xerographic process, which enabled animators to work quickly and effectively, even though the process would be used to diminishing returns for future titles.
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This animated oddity finds a young time traveler trapped in the past—and our future.
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