The filmography of the late Chuck Norris wasn’t exactly filled with masterpieces. But one title stands out as legitimately jaw dropping, slyly subversive, and terrifyingly prescient.
Read moreA look back at the classics
The filmography of the late Chuck Norris wasn’t exactly filled with masterpieces. But one title stands out as legitimately jaw dropping, slyly subversive, and terrifyingly prescient.
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To mark legendary producer Roger Corman’s 100th birthday (on April 5), here’s a roundup of his acting jobs for his illustrious alumni.
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John Schlesinger’s 1985 spy thriller boasts fine performances from Timothy Hutton and Sean Penn, and a refreshingly cynical view of the American intelligence apparatus.
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Gregory Hoblit’s courtroom hit is is one of the great legal thrillers told from the point of view of the defense.
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Cult icon Bruce Campbell was given a rare chance to show off his dramatic chops in this real-time crime caper. He made the most of it.
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Two decades after its debut, James Gunn’s first directorial effort remains a pleasantly grimy low budget horror comedy.
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A look back at how Humphrey Bogart’s final movie performance grippingly encapsulated a career playing characters from all across the moral spectrum.
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Marlon Brando’s sole directorial effort remains a fascinating and occasionally confounding conflation of the old and the (then-) new.
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Examining the impulse to avenge the death of an abused child, Kurosawa’s 1998 film (coming to American theaters for the first time) offers a unsparingly grimy vision of the cycle of violence
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Sometimes, you only know the elements of a good subgenre of film when they’re screwed up by a filmmaker who doesn’t […]
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Robert Bresson wanted to make a film about King Arthur’s court for two decades before he got the chance. He used the time to distill it down to its essence.
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Larry Cohen’s Hitchcock riff is a scuzzy New York noir about the inherently voyeuristic nature of movie-making.
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