Quit playing “Reindeer Games” – John Frankenheimer’s ultimate Christmas movie is this down-and-dirty holiday hangover where the only white stuff falling is Neo-Nazi scum.
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With Jim Jarmusch’s “Father Mother Sister Brother” out this month, a look back at his first indie triptych.
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On its 25th anniversary, a look back at the movie that severed Miramax’s relationship with Billy Bob Thornton — and put his directorial side hustle to an end.
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Hollywood has always struggled to adapt the works of the legendary Stephen Sondheim to film, and Tim Burton’s take on “The Demon Barber of Fleet Street” shows both the benefits and risks.
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Juzo Itami’s comic masterpiece remains one of the greatest films about food ever made. Just don’t watch it on an empty stomach
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Martin Scorsese’s Vegas mob drama features the single most wince-inducing sequence of his entire filmography.
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Alexander Mackendrick’s noir-vember essential was a flop upon its initial release in 1957 — but its weathered, weary cynicism has aged like a fine wine.
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For a director who’s experienced great popular success, Mamoru Oshii is a remarkably eccentric artist. He’s lamented the fact that his […]
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Pier Paolo Pasolini’s final film is just as hard to watch as it was half a century ago, but it’s even more necessary today.
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“Walk Hard” was a diss track in cinematic form that dismantles the script of “Walk the Line” so thoroughly that it might as well be a beat-for-beat remake
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Welcome to Harvey’s Hellhole, a monthly column devoted to spotlighting the movies that were poorly marketed, mishandled, reshaped, neglected or just […]
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Released 45 years ago this week, Lewis Teague’s witty and well-crafted animal-attack thriller is far more than a “Jaws” rip-off.
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